domenica 24 settembre 2017
Year: June 2016
Let's open the "books/fanzine" section with Devil's Noise, an excellent Italian fanzine whose first (and only, for the moment) number was released in June 2016. After one year, I am still waiting for its second number, very anticipated since the guys behind this zine (one of them is the singer/guitarist of the known Italian doomsters Black Oath, a band that I saw live one year ago at Sinister Noise Rock Club in Rome) announced it in February 2017 on the Devil's Noise FB page. But unfortunately, this page is no longer updated since that announce, so I hope that this silence represent the classic "calm before the storm".
sabato 23 settembre 2017
Year: 10th November 2014, Sapólio Rádio; 3rd March 2017, Defense Records/Deformeathing Production)
Time: 40 min circa
Sarcófago! An act able to draw the attentions of many many metalheads devoted to the rawest black metal played with the barbaric fury typical of a bunch of South American bands. But this review is neither about Sarcofago nor a band influenced heavily by them but is about Uganga. And who are these ones? And what is the role of Sarcófago in this review? A Brazilian band born in 1993, their singer Manu Joker played the drums just in Sarcófago at the end of the '80s. In addition, Uganga (Swahili for "sorcery") have released 4 studio full-lenght albums between 2003 and 2014 and, curiously, all them are characterized by a tracklist consisting ALWAYS and ONLY of 13 songs, included even their 2013 live album titled "Eurocaos - Ao Vivo", recorded in Bochum, Germany, as a coronation of their European second tour that reached also Italy. Said this, the last studio album called "Opressor", originally released in 2014 for the Brazilian label Sapólio Rádio, has been recently reissued in co-operation by Defense Records and Deformeating Production, both Polish labels.
mercoledì 20 settembre 2017
In my opinion, the first true proto-speed metal albums in the history were released in 1981. Yes, you have to count still them on the fingers of a single hand but the cult for the speed was already international at that time. In fact, it sounds strange but...Venezuela was one of the very first proto-speed metal strongholds!
lunedì 18 settembre 2017
With the "Swallow This" compilation, released some months ago by Svart Records I discovered a band very worthy with its imaginative death'n'roll but, unfortunately, it had a too short life to express completely its potential. But fortunately, as many Finnish death metal bands of the "golden years" (Abhorrence, Purtenance...), also the death'n'rollers Lubricant are back and I hope that they will release finally an entire full-lenght album because they deserve it after all their efforts! So, I present to you a very nice interview to Lubricant through the words of their guitarist Sami Viitasaari!
mercoledì 13 settembre 2017
Genre: Thrash Metal
Year: 10th May 2017
Time: 34 min
8 years. 8 years were enough for Whorehouse to create a follow-up on their first album "Execution of Humanity", that was even the very first production released by the Polish label Defense Records. But the fact is that Whorehouse have never been a prolific band. Born in 1995, they recorded only 3 demos between 1998 and 2003 before the aforementioned "Execution...", an album composed mostly of old songs but released in a perfect period for the old-school thrash metal revival, shooting also a videoclip for "Violent Storm", the opening track of their debut. And this very long wait has been truly useful to Whorehouse in order to crank up their thrash metal overdose with a better album entitled "Corporation".
domenica 10 settembre 2017
Title: The Test That Divides Us All
Genre: Progressive Thrash metal with Death metal influences
Year: 24th April 2017
Time: 32 min circa
I don't know how you think but a band like Rotengeist deserve a better international recognition. I am saying this because their third album, "The Test That Divides Us All", is very amazing since it shows many winning ideas and a lot of intensity. And it isn't a case considering that Rotengeist comes from Poland, a country able often to spew forth an high quality metal since the seminal debut album called "666" (1986) by the speed/thrash metal band Kat. But it seem to me that Rotengeist aren't so known internationally, also because, if I am not mistaken, I realized that their third album has been reviewed almost exclusively by Polish webzines while I think that Timpani allo Spiedo is the very first Italian webzine to review it. And I hope it will not be the only one!