Title: Volaða Land
Genre: Black metal
Year: 2017
Time: 37 min
Rating: 91/100
Iceland is something miracolous! In fact, it is relatively isolated from the rest of Europe and has mostly uninhabited due to its very strong volcanic activity, so this insular Nation is comprised only of 321.000 inhabitants circa. Despite of all this, the Icelandic National football team, during the 2016’s Europeans Cup, reached the quarter finals after playing very well against great teams. And don’t forget that Iceland has even a good popular music tradition since the success of the dark post-punkers KUKL in the early ‘80s. But do you know that one of the first proto-black metal bands was Icelandic? Oh yeah, guys, I’m talking about the mysterious Flames of Hell, a trio maker of the legendary “Fire and Steel” (1987), an album of a visionary black metal like few others characterized by a totally demented singer.
Fortunately,
the Icelandic black metal has not stood to those 3 madmen because it has gone
even further creating also music of an excellent quality, as shown today by a
band like Draugsól. This band comes from the capital
city Reykjavík but, to speak the truth, any biographic
information about these 3 guys is unknown. Anyway, their debut album “Volaða Land” will be released on vinyl by Signal Rex Productions (an
excellent Portuguese black metal label a bit experimental) around 13th
January 2017. Said frankly, the metallic 2017 has started with the better
fireworks!
“Volaða Land” is an album consisted of only 6 tracks, 3 of them lasts 7 – 8 minutes
but expressing, in any case, a surprising richness of ideas. This because
Draugsól plays a very complex and multiform black metal with an almost
progressive modus operandi but, at the same time, with a sound strongly derived
from the ‘90s Scandinavian black metal.
I said “multiform”
for a precise reason: Draugsól have the rare capacity to range
from furious and tempestuous parts to incredibly emotive and melodic ones. This
miracle happens especially into “Bót Eður Viðsjá Við illu Aðkasti”, a track that, after an initial half-death metal oriented
assault, ends in a slow and atmospheric finale developed around a more and more
potent climax.
The same
guitars’ job is very exemplified about the “multiformity” of the band. Specifically,
the riffs, according to need, can be freezing, majestic or so evocative to
leave seriously the minds’ listeners into naturalistic landscapes . At the same
time, some good solos, very very far from the minimalistic ones typical of the
orthodox black metal, emerges here and there during the listening, like in “Formæling”. This without forgetting the good contribution given by the
acoustic guitars, especially during the intros (as in the folk one of “Spáfarir Og Utisetur”) but also integrating them sometimes into the metal
parts (for example, in “Holdleysa”).
Others
interesting points comes from the drummer, that has a very particular style. In
fact, he is always in search of strange and unusual patterns that sometimes
have even a jazzy-edge, according to a nervous and unpredictable discourse not
lack of a bunch of blast-beats able to hit the listeners in a brutal way.
The result
of all this is an album made of tracks that are very different from each one.
My favorite song is surely the aforementioned “Spáfarir Og
Utisetur”, a memorable kind of mid-tempo destined to explode in a devastating
way with a singer in full torment and despairation. But, truly, every song is
remarkable: to name a few, “Váboðans Vals” with
its ultra-violent accelerations (listen to its acoustic intro interrupted
abruptly!); or the same titletrack, a kind of 2-minutes’ intro with a noisy and
hypnotic edge. A bit less effective due to its sketchy structure is the
conclusive “Holdleysa”, anyway mentionable for its evocative finale
characterized also by mantric clean vocals.To end this endless review, “Volaða Land” is a very good debut album that has everything due to an unpredictable, majestic and kaleidoscopic black metal able even to thrill the listeners, and this one is a thing very difficult to find into the today black metal scene. There is need to say that this strong emotive impact is due also to the lyrical concept of the album: in fact, it is focused not on the ultra-abused Satanic themes but, instead, on the man’s struggle between to be architect of his own fate or to be a futile sentient existence into an hostile and demented world now empty of every certainty. Now confess: do you want to be the architects of your own fate?
Tracklist:
1 – Volaða Land
2 – Formæling
3 - Bót Eður Viðsjá Við illu Aðkasti
4 – Spáfarir Og Utisetur
5 – Váboðans Vals
6 – Holdleysa
Line-up:2 – Formæling
3 - Bót Eður Viðsjá Við illu Aðkasti
4 – Spáfarir Og Utisetur
5 – Váboðans Vals
6 – Holdleysa
Unknown
BandCamp: https://draugsol.bandcamp.com/
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